Not a few years passed, and hybrid trap, hard trap, or the aforementioned future bass began to gain popularity. When trap music took the electronic scene by storm in 2012, whose precursors were, and in fact still are, Flosstradamus, RL Grime, or Hucci, it was clear that sooner or later it would expand its legacy to include smaller subgenres. Referring to the latter, future bass, which originated from trap around 2014, deserves more attention. One of the simplest examples can be house which is a very general term having under it subgenres such as deep house, tech house, future house, electro house, or bass house. It’s been happening for years that main genres are being overshadowed by their younger, more modern counterparts. I mean DROELOE is a pretty good example of how much things have improved quality-wise too and where we are at right now in terms of amazing production quality alone in future bass tracks and electronic music tracks in general.The evolution of genres is a very natural order of things. Just go listen to 'We Rise' by San Holo and try to tell me that EDM songs age at the same pace as other genres of music ) It's still a catchy song but the production is outdated and simpler than a lot of the future bass tracks that have come out since then. Naming a few I'd consider to have some pretty timeless tracks compared to most others: Flume, Skrillex, KOAN Sound, Noisia, Aphex Twin, Space Laces (every track he makes is years ahead of his time, I'd still play out his songs from 6 years ago and they'd still go off and could be released today even), and more but those are names you might know (except space laces but I can't leave him out when talking about timeless production) There are only a certain (small) amount of artists who's production, songwriting, and technical skill outlive the trend changes and advances in production technique - and in my opinion those producers GOATs in terms of their skill. I've found that it really only takes around 2 years for certain styles (and therefore many, many tracks) to sound outdated just from gradual yet defining shifts in production techniques, style choices, trends, and even quality in many cases within genres and subgenres. Tastes, styles, and techniques change very quickly except with a few songs which are relative "classics" or timeless tracks. Tove Lo)" was released alongside the B-side "Wall Fuck".ĭiamond Shock 5y AOK In electronic music it does. He returned with the track "Some Minds" which features vocals and lyrics from Miike Snow’s Andrew Wyatt in May 2015, followed by "Never Be like You" featuring Kai and "Smoke & Retribution" alongside Vince Staples and Kučka as an advance of second album "Skin". In February 2013, it was announced exclusively on triple j that Flume would tour nationally around Australia for his first headlining tour, the "Infinity Prism Tour", in April and May 2013. It debuted on the ARIA Albums Chart at number 2, behind One Direction's Take Me Home. The album reached number one on the Australian iTunes charts. The album's production saw Flume collaborating with vocal artists George Maple, Moon Holiday, Jezzabell Doran, Chet Faker, and New York rapper T.Shirt. Nathan McLay, an employee of Future Classic and now Flume's manager, assisted with the release of his first EP titled Sleepless, which contained the three original tracks.įlume's self-titled debut album was released on Novemto exceptional critical acclaim. Streten was discovered and signed by Future Classic in 2011, after submitting the tracks "Sleepless", "Over You" and "Paper Thin" in an original artists competition managed by the Australian record company. Flume is an electronic music project, created by Harley Streten from Sydney, Aus… Read Full Bio ↴ Flume is an electronic music project, created by Harley Streten from Sydney, Australia.
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